{"id":1725,"date":"2026-01-16T20:32:47","date_gmt":"2026-01-16T20:32:47","guid":{"rendered":"https:\/\/sophiaobermeyer.org\/?p=1725"},"modified":"2026-01-16T20:39:34","modified_gmt":"2026-01-16T20:39:34","slug":"falling-mountains","status":"publish","type":"post","link":"https:\/\/sophiaobermeyer.org\/de\/own-work\/falling-mountains\/","title":{"rendered":"Falling Mountains"},"content":{"rendered":"<div data-elementor-type=\"wp-post\" data-elementor-id=\"1725\" class=\"elementor elementor-1725\">\n\t\t\t\t<div class=\"elementor-element elementor-element-2c094b24 e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-parent\" data-id=\"2c094b24\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-d72ee45 elementor-widget elementor-widget-shortcode\" data-id=\"d72ee45\" data-element_type=\"widget\" data-widget_type=\"shortcode.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-shortcode\"><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-62927740 elementor-widget elementor-widget-text-editor\" data-id=\"62927740\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><!-- \/wp:nextend\/smartslider3 --><!-- wp:spacer --><\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>An ongoing investigation: Falling Mountains displays a surreal and intimate relationship between two nearly identical figures. They approach, they embrace and they collapse; folding into uncanny shapes through repetition and touch. As they fall, they climb on one another \u2013 quietly persisisting in a dance of mutual support and failure. Collapse here is not a sudden or dramatic fallout of the system, but a gradual erosion. In a world that demands coherence and control, this duet lingers in the messier, in-between spaces of identity, where gestures falter and bodies relate through strangeness and care.<\/p>\n<p><!-- \/wp:spacer --><!-- wp:paragraph --><\/p>\n<p><!-- \/wp:paragraph --><!-- wp:spacer --><\/p>\n<div class=\"wp-block-spacer\" style=\"height: 100px;\" aria-hidden=\"true\">\u00a0<\/div>\n<p><!-- \/wp:spacer --><!-- wp:table {\"className\":\"is-style-regular credits-table\"} --><\/p>\n<figure class=\"wp-block-table is-style-regular credits-table\">\n<table class=\"has-fixed-layout\">\n<tbody>\n<tr>\n<td><strong>Credits<\/strong><\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><strong>Concept, Choreography, Dance<\/strong><\/td>\n<td>Sophia Obermeyer &amp; Maria O\u00b4Herce<\/td>\n<\/tr>\n<tr>\n<td><strong>Suppored by<\/strong><\/td>\n<td>HZT Berlin, Bergen Dansesenter, <em>BIT Teatergarasjen<\/em>\u00a0(BIT)<\/td>\n<\/tr>\n<tr>\n<td><strong>Shown as work in progress at<\/strong><\/td>\n<td>Pr\u00f8verommet, Bergen Inkluderingssenter, August 28 2025<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p><!-- \/wp:table --><!-- wp:spacer --><\/p>\n<div class=\"wp-block-spacer\" style=\"height: 100px;\" aria-hidden=\"true\">\u00a0<\/div>\n<p><!-- \/wp:spacer --><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>\u00a0 \u00a0 An ongoing investigation: Falling Mountains displays a surreal and intimate relationship between two nearly identical figures. They approach, they embrace and they collapse; folding into uncanny shapes through repetition and touch. As they fall, they climb on one another \u2013 quietly persisisting in a dance of mutual support and failure. Collapse here is not a sudden or dramatic fallout of the system, but a gradual erosion. In a world that demands coherence and control, this duet lingers in the messier, in-between spaces of identity, where gestures falter and bodies relate through strangeness and care. \u00a0 Credits \u00a0 Concept, Choreography, Dance Sophia Obermeyer &amp; Maria O\u00b4Herce Suppored by HZT Berlin, Bergen Dansesenter, BIT Teatergarasjen\u00a0(BIT) Shown as work in progress at Pr\u00f8verommet, Bergen Inkluderingssenter, August 28 2025 \u00a0<\/p>","protected":false},"author":1,"featured_media":1728,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1725","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-own-work","entry","has-media"],"_links":{"self":[{"href":"https:\/\/sophiaobermeyer.org\/de\/wp-json\/wp\/v2\/posts\/1725","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sophiaobermeyer.org\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sophiaobermeyer.org\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sophiaobermeyer.org\/de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sophiaobermeyer.org\/de\/wp-json\/wp\/v2\/comments?post=1725"}],"version-history":[{"count":11,"href":"https:\/\/sophiaobermeyer.org\/de\/wp-json\/wp\/v2\/posts\/1725\/revisions"}],"predecessor-version":[{"id":1743,"href":"https:\/\/sophiaobermeyer.org\/de\/wp-json\/wp\/v2\/posts\/1725\/revisions\/1743"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sophiaobermeyer.org\/de\/wp-json\/wp\/v2\/media\/1728"}],"wp:attachment":[{"href":"https:\/\/sophiaobermeyer.org\/de\/wp-json\/wp\/v2\/media?parent=1725"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sophiaobermeyer.org\/de\/wp-json\/wp\/v2\/categories?post=1725"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sophiaobermeyer.org\/de\/wp-json\/wp\/v2\/tags?post=1725"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}